A Visual Analysis of the Painting The Ambassadors by Hans.
Analysis of Portrait of Erasmus of Rotterdam by Hans Holbein. Hans Holbein ranks alongside Matthias Grunewald (1470-1528), Albrecht Durer (1471-1528) and Lucas Cranach the Elder (1472-1533), as one of the top Northern Renaissance artists of the early 16th century. Although born in Augsburg, Holbein was active mainly in Basel until his mid-20s.
Hans Holbein the Younger, The Ambassadors, 1533, oil on oak, 207 x 209.5 cm (The National Gallery, London). View this work up close on the Google Art Project.
Hans Holbein the younger painted this in 1533. Among other things, it is a double portrait of two real people, one of them a wealthy landowner and the other a bishop. Putting two men from such weighty occupations into a frame together automatically begs interpretive questions.
Hans Holbein the Younger About Hans Holbein the Younger The Ambassadors The Merchant Georg Gisze Christina of Denmark, Duchess of Milan Albrecht Altdorfer, The Battle of Issus The conservator’s eye: a stained glass Adoration of the Magi Spain in the 15th and 16th centuries: Renaissance Browse this content Renaissance in Spain, an introduction.
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Hans Holbein has left us an unforgettable image of the Tudor Court. It is through his eyes that we see our vision of kings, queens, courtiers and ambassadors. He gives us Henry VIII, the beady-eyed colossus bestriding the world in The Whitehall Mural.
The biographical essay on Holbein's methodology and influence was short but informative. Anyone interested in art history and portraiture should have a monograph on Holbein. The extraordinary quality of his paintings and drawings demand top notch reproductions in a hardcover volume, but for anyone not looking for such a definitive and costly book, this is an excellent option.